What would Little Women be without the charms of the March family's cozy New England home? Or Wuthering Heights without the ghost-infested Wuthering Heights? Getting lost in the setting of a good book can be half the pleasure of reading, and Decorating a Room of One's Own brings literary backdrops to the foreground in this wryly affectionate satire of interior design reporting. English professor and humorist Susan Harlan spoofs decorating culture by reimagining its subject as famous fictional homes and "interviews" the residents who reveal their true tastes: Lady Macbeth's favorite room in the castle, or the design inspiration behind Jay Gatsby's McMansion of unfulfilled dreams. Featuring 30 entries of notable dwellings, sidebars such as "Setting Up an Ideal Governess's Room," and four-color spot illustrations throughout, Decorating a Room of One's Own is the ideal book for readers who appreciate fine literature and a good end table.

This book examines literary depictions of the construction and destruction of the armored male body in combat in relation to early modern English understandings of the past. Bringing together the fields of material culture and militarism, Susan Harlan argues that the notion of "spoiling" - or the sanctioned theft of the arms and armor of the vanquished in battle - provides a way of thinking about England's relationship to its violent cultural inheritance. She demonstrates how writers reconstituted the spoils of antiquity and the Middle Ages in an imagined military struggle between male bodies. An analysis of scenes of arming and disarming across texts by Christopher Marlowe and William Shakespeare and tributes to Sir Philip Sidney reveals a pervasive militant nostalgia: a cultural fascination with moribund models and technologies of war. Readers will not only gain a better understanding of humanism but also a new way of thinking about violence and cultural production in Renaissance England.

This book examines literary depictions of the construction and destruction of the armored male body in combat in relation to early modern English understandings of the past. Bringing together the fields of material culture and militarism, Susan Harlan argues that the notion of "spoiling" - or the sanctioned theft of the arms and armor of the vanquished in battle - provides a way of thinking about England's relationship to its violent cultural inheritance. She demonstrates how writers reconstituted the spoils of antiquity and the Middle Ages in an imagined military struggle between male bodies. An analysis of scenes of arming and disarming across texts by Christopher Marlowe and William Shakespeare and tributes to Sir Philip Sidney reveals a pervasive militant nostalgia: a cultural fascination with moribund models and technologies of war. Readers will not only gain a better understanding of humanism but also a new way of thinking about violence and cultural production in Renaissance England.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. You can't think about travel without thinking about luggage. And baggage has baggage. Susan Harlan takes readers on a journey with the suitcases that support, accessorize, and accompany our lives. Along the way, she shows how the materials of travel - the carry-ons, totes, trunks, and train cases of the past and present - have stories to tell about displacement, home, gender, class, consumption, and labor. Luggage considers bags as carefully curated microcosms of our domestic and professional selves, charting the evolution of travel across literature, film, and art. A simple suitcase, it turns out, contains more than you might think. Object Lessons is published in partnership with an essay series in The Atlantic.